Ghost in the Shell live-action movie: What the critics think

Reviews for the long-awaited live-action Hollywood remake of Ghost in the Shell are in, and the reaction is mixed.

Most critics agree that the film directed by Rupert Sanders looks great, and that while Scarlett Johansson is a controversial choice to play Major Motoko Kusanagi she handles the part well. However, there are also a few who say the film itself lacks substance. Many critics have complained that the film has “too much Shell, not enough Ghost”. The majority of reviews appear to have given the film three stars out of five.

Below is a selection of some of the comments from the UK press about the movie.

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The Telegraph: Purists may not want to hear it, but she’s [Johansson] ideal at the conceptual side of the role. The unusual disconnect between Johansson’s intelligence and her coolly dispassionate looks has been exploited before, most brilliantly in Jonathan Glazer’s Under the Skin. Here she is both ghost and shell – a pair of soulful eyes, welling with memory and confusion, stranded inside a gorgeously supple action figure. – Tom Robey (4 stars)

iNews: Sanders’ live-action version is remarkably faithful to Oshii’s animated classic, to the point where several shots are lifted directly from the original. Plot-wise, there have been a few compromises, like over-explaining what the title means and adding an emotional backstory. But this is otherwise a largely respectful remake that does full justice to the source material. – Matthew Turner (4 stars)

The List: This is fantastic sci-fi for the 21st century: smart, exciting and absolutely stunning (with cityscapes and images that put one in mind of Blade Runner and, now an influencer itself, The Matrix) and featuring strong set-pieces. – Angie Errigo (4 stars)

The Guardian: It is a spectacular movie, watchable in its way, but one which – quite apart from the “whitewashing” debate – sacrifices that aspect from the original which over 20 years has won it its hardcore of fans: the opaque cult mystery, which this film is determined to solve and to develop into a resolution, closed yet franchisable. – Peter Bradshaw (3 stars)

Metro: While visually staggering and better than cynical anime fans are perhaps expecting, it’s a streamlined, lesser version which struggles to go beyond its already deep-rooted cult appeal. If you like flashy sci-fi films with a few GCSEs, you’ll find something to enjoy, but this is neither the success or disaster anyone perhaps wanted it to be. – Adam Starkey (3 stars)

NME: Whatever your take on the whitewashing controversy, Ghost in the Shell is no masterpiece. It’s another entertaining but slightly frustrating origin story with one eye on creating a franchise. There’s substance here, but it doesn’t match the film’s glorious style. – Nick Levine (3 stars)

The Independent: The movie is as much of a hybrid as its lead character. It combines high-minded postmodern philosophising with very generic, often very banal, thriller elements. – Geoffrey MacNab (3 stars)

Empire: So heavily derivative it doesn’t feel like anything new, and there’s little depth beneath that slick surface. But it’s solid and attractive, at least, with a retro appeal to its cyberpunk stylings. – Dan Jolin (3 stars)

Radio Times: A clunky finale that echoes an episode of Robot Wars (with a piece of hardware that could have been made by A-level students) reveals where Sanders has veered off track. Its bluntness at times means Ghost in the Shell probably won’t go down as a classic, but it does keep the cogs turning and if the ticket sales warrant it, there’s ample scope for a sequel to flesh out this fast and furious fembot. – Stella Papamichael (3 stars)

Den of Geek: Fans of the original manga and anime, who expect something as thought-provoking as the original, may be disappointed that the movie spends more time on gun-fu, chases and lingering shots of buildings than on fully exploring the ideas it raises. As a live-action, glossy evocation of the original Ghost In The Shell, however, Sanders’ film is well worth seeing on the big screen. – Ryan Lambie (3 stars)

Digital Spy: Utterly, unquestionably gorgeous to look at, but at heart a fairly bog-standard futuristic action movie, GITS is all Shell with barely a Ghost of anything inside. – Ross Fletcher (3 stars)

Financial Times: The main plot questions — “Can a cyborg have human feelings?” and “Might this one, named Mira, have human memories too?” — are sci-fi riddles that have become riddled with age and cinematic overuse. Worse: Scarlett Johansson herself has done this alien-being stuff so often (Her, Lucy, Under the Skin) that her casting seems criminally lazy. – Nigel Andrew (3 stars)

Daily Mirror: Beneath the glossy exterior there’s not much spirit to be found in this curate’s egg of a sci-fi action thriller. A hard working Scarlett Johansson stands at the centre of the spectacular visuals, but even the Avengers star can’t bring the soulless storytelling to boil. – Chris Hunneysett (2 stars)

FACT Mag: The best thing you can say about Ghost in the Shell 2017 – beyond crafting nostalgia for Oshii’s original film – is that it has inspired many to speak out about Hollywood’s diversity problem. If the prospective audience stays home and Paramount Pictures learns from this experience, there will be more than a basis for the Majors and Motoko Kusanagis of the future to be played by Asian actresses – regardless as to what Oshii may think. – Daniel Montesinos-Donaghy (no rating given)

The Spectator: Ghost in the Shell is the Hollywood live-action remake of the 1995 Japanese anime of the same name and it’s set at a time in the future when, it would appear, the world is populated by blandly one-dimensional characters. Evil is perpetrated by our old friend, Corporate Evil Man — yes, still — and everyone communicates via dialogue so stilted and ham-fisted it makes you die inside a little. That said, at the media screening I attended we were all given a free bag of high-end crisps, so it wasn’t two hours totally wasted. (I do really like crisps, high-end or otherwise.) – Deborah Ross (no rating given)

Ian Wolf

Ian works as an anime and manga critic for Anime UK News, and was also the manga critic for MyM Magazine. His debut book, CLAMPdown, about the manga collective CLAMP, is available now. Outside of anime, he is data specialist for the British Comedy Guide, is QI's most pedantic viewer, has written questions for both The Wall and Richard Osman's House of Games, and has been a contestant on Mastermind.

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