In a world where dirty jokes don’t exist, and the mere mention of a sex organ can get you thrown in jail, a hero must rise as a symbol for all things lewd. The mysterious Blue Snow, proudly wearing panties over her face and armed with naughty images and a foul mouth, aims to overthrow the government’s strict oppression and bring back the art of filth! Tanuki Okuma, the son of an infamous ero-terrorist, has chosen to not follow in his father’s footsteps but instead lead a life of morality in order to chase his dream girl Anna Nishinomiya. However, when he has an encounter with Blue Snow, AKA Ayame Kajou, his plans are ruined, when he is entangled in SOX, Blue Snow’s new ero-terrorist organisation.
A few weeks ago, I reviewed the farm-based sex comedy No-Rin, a show I enjoyed a fair bit, and which I praised for how far it was willing to push the envelope in terms of raunchiness. However, after watching Shimoneta: A Boring World Where The Concept of Boring Jokes Doesn’t Exist, I have quickly come to realise that being as lewd as possible does not make for a funny show, as, despite pushing things about as far as they can go, Shimoneta is an utter failure.
I’ll be totally blunt and to the point. I think that Shimoneta is fundamentally broken as a comedy series. When I talk about comedy anime, I normally like to add in a little passage about how, despite the fact that I either liked or didn’t like the comedy in question, others might disagree, such is the incredibly subjective nature of comedy; however I can’t help but feel that Shimoneta actually defies this. Although the setup is pretty good, parodying dystopian futures seen in the likes of Psycho Pass, it is completely wasted. I genuinely do not think it’s possible to actually think this kind of show is funny, unless you’ve yet to leave primary school. The main problem is that there actually aren’t any jokes here. I mean, the script-writers clearly thought they were writing jokes, but I think to qualify as a joke, you actually have to put an ounce of thought into the script. What seems to qualify as a “joke” in Shimoneta is simply saying or showing something sexual. That’s it. To give an example of what passes for comedy, there is a gag where Ayame simply rolls on the floor repeating the words ‘penis’ and ‘vagina’ over and over. See what I mean? That pretty much sums up 90% of the comedy, and it is painfully unfunny.
Admittedly, there is a way to make that kind of comedy work, and that’s when the viewer doesn’t see it coming. For example, in Episode 2 of the slice-of-life comedy Eromanga-Sensei, there is a gag where you see a cute, innocent girl, who suddenly says “I love dicks”. It hits you like a freight train, and comes from absolutely nowhere, and I thought it was hilarious. In contrast, all of the characters in Shimoneta are acting perverted 24/7, so you’re always prepared to see something lewd, therefore it’s neither shocking nor funny, it’s just dull. Any kind of amusement you get out of the sheer profane nature of the series is gone by Episode 2, as you just become numb. Even when it keeps pushing the boundaries further and further, it cannot escape from the fact that sex doesn’t equal comedy. You actually need amusing, unique or bizarre situations for the sex comedy to work and simply having a character say “Cock-a-doodle pussy” or showing someone masturbating on a table, talking about “love nectar”, does not qualify as comedy.
Perhaps the most offensive part of Shimoneta is its portrayal of rape as funny. Yes, really. Throughout the series, protagonist Okuma is sexually assaulted on several occasions and almost raped, something that is played entirely for laughs. Not only is trying to play rape for laughs disgusting enough, but it doubles down on the awful stigma that sexual assault and rape against men is something not to be taken seriously, to a point where I actually find it genuinely offensive. You would never see a comedy series in which a woman is pinned down and blindfolded, whilst being straddled by a naked man in an attempt to forcefully have sex with them, yet here, with the genders reversed, it’s perfectly fine, apparently. Honestly, it’s reprehensible.
Matching up with the abysmal comedy in Shimoneta are the equally abysmal characters. The protagonist is your run-of-the-mill, dull as dishwater main character, and everyone else is a pervert. No kidding, that is it. I suppose that, technically speaking, Anna develops, in that she starts as morally upstanding before becoming a pervert, but her character doesn’t really change for the better, she just turns from a dull and bland romantic interest into a perverted romantic interest. Perhaps a greater variety of characters might have helped mix up the comedy a bit to prevent stagnation, but unfortunately, that isn’t the case.
If there is any kind of saving grace here, it’s exclusively based in the technical aspects of the show: the animation, voice acting and music. Although they do great here, it actually saddens me a bit that J.C Staff, the studio behind A Certain Scientific Railgun, Toradora! and Little Busters, had to work on such an awful project, and I’d much rather have had the team there work on something, anything, other than this. Funimation UK’s release includes both an English and Japanese voice track. Not to diss the English voice track, the couple of episodes I watched with it on seemed decent enough, but Shimoneta is certainly a series you’ll want to watch in Japanese (if at all), if for no other reason than wanting to avoid the embarrassment of knowing other people in the house can hear what you’re watching. I can’t really say that there are any noteworthy performances, all the actors do a good a job as can be expected, given the material, but again, it’s kind of sad that skilled voice acting talent was wasted on such a show. The soundtrack is also pretty decent, making it a standout feature amongst pretty much everything else in comparison. The OP and ED “B Chiku Sentai SOX” by SOX and “Inner Urge” by Sumire Uesaka are nothing brilliant, but fit the series relatively well.
Funimation UK’s (uncut) release includes the usual clean opening and closing, as well as some episode commentaries.
If you’re a prepubescent boy who still finds the word ‘penis’ funny, you’ll get a kick out of this, but everyone else should stay well clear. Even by ecchi standards, this is a god-awful trash fire of an anime.